Biography read about me, my style and what I'm all about.
C-Note's Bio
C-Note: Aka: Christopher G. Williams was raised in New York City, in Spanish Harlem. As a child I loved music. At the age of five, my father purchased a drum set for me and then learned to play the six string lead guitar. I attended Elementary School P.S 72. At the age of nine I joined the P.S 72 Performing Arts Club and studied under my music teacher, Raymond Dunmore, and dance teacher Susan Lopez. With the Performing Arts Club I traveled state to state performing and playing four different instruments, (trombone, drums, bass guitar and trumpet.) At the age of eleven I start reading music.
When I graduated from PS/JHS 72, I attended Murry Bergtrum HS with The Jungle brothers, Shaheed from Tribe Called Quest and Lucy Pearl, my boy Jason and Q-tip from Tribe Called Quest. My major was computers and music. I completed my four years there and graduated. At the age of 19, I started recording, writing songs, and producing. I was writing tracks for artists that were trying to succeed in the music biz just like me.
As time progressed, I met a friend and brother, Strings and keys, Aka: Cecil Sanchez. This took place in 1993 at Poker Face Studios that was run by the one and only Sharae Wright and Charlie Erving, (The ladies of my life when it came down to music.) Cecil and I have been producing music together ever since. Music is our life. We write, breathe and play music. Down the line, I met a friend in the music biz, Floyd, good man and on point when it came down to biz. He introduced me to Pure Entertainment’s CEO, Joe Safina. I’ve worked with Joe since 2005. I would like to thank you for everything you’ve done for me and Strings and Keys. Pure Entertainment’s first artist was Na’sha. Strings and keys and C-note produced a track on Nasha’s album Track #15 Title: “More Than a Million.”
Here we are now on Loud.com working with Joe Safina’s Pure Games and SRC’s CEO, Steve Rifkind. My plan is to continue producing, writing tracks for artists in the music industry and soon Strings and keys and I will start our own record label.
Strings and Keys Bio
Cecil Sanchez aka “Strings and Keys” was born in Brooklyn, New York and raised by two loving parents who migrated from Honduras, Central America. As the youngest of the four children, he was always surrounded by music. His father bought his family a piano, his brother a guitar, harmonica, and a ukulele. His brother never wanted him to touch his guitar. Strings and Key’s first studio was the emulator sampling keyboard, the MPC 3000, and the Roland JV-1080 synthesizer.
In High School, he met and jammed with Noel Goring
(who wrote and produced “How Many Ways” for Toni Braxton) and Dinky Bingham (who produced “Hit Me Off” for New Edition.) He shared the stage with Arthur White (Alicia Key’s long time guitar player.) His love for music grew stronger as he developed his production skills. With the help of a friend and years of grinding, Mary J Blige insisted on using one of his tracks which became “Let Me Be The One” Track #7 on Blige’s platinum album “Love And Life”. He produced three cuts on Freddie Jackson album entitled “Reflections”, track #2 on CCCME “God “Conscious”. Strings says “We are ready to bless the world with good music and those hot tracks that’s needed.” I am partners with C-Note and we are unstoppable!
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WHATS HOOOOD YA....WHEN YA GET SOME TIME AND IF YA DONT MIND..SWING THROUGH AND PEEP OUT THE NEW HEAT....(SICK....V.S...SWIFF...) STRAIGHT FIRE...GOD BLESS.....SWIFF...
1) Make sure all your videos have half naked black women in it with mouths half way open as if they want something in it in all scenes.
2) Make sure all black men in the video have either blunts, money, or alcohol in their hands during 90 percent of the scenes.
3) Make sure the rhymes don't make people think on their lives too much, just let the people enjoy themselves the way they are.
4) Make sure you have the most expensive cars and houses in the videos so that people watching can feel more depressed when they turn the TV off and look at their old stuff and broken down homes and life styles.
5) Make sure every girl in the video has on jewelry that other little girls who have children can not afford so that they put pressure on their boyfriends to sell drugs or kick them out.
6) Make sure all the men have earrings in their ears and pressed hair like girls do so its easy for homosexuals to walk in streets and flirt in the open, kiss etc.
7) Make sure that each woman sitting has their legs open so that the camera man can zoom into their private areas as young children watch.
8) Make sure that if there are any pioneer rappers in the video that they don't get to much light and are chucked to the side so that to make old school appear to be wack, we need to cut the children off from their past like we did their fore parents in slavery.
9) Make sure the rhymes are easy to say and lead them niggras to doing nothing but dancing and touching the bodies of women, and stealing things that are not theirs.
10) Make sure all the men dress with gold, platinum and have the finest clothing money can by so that people in their hoods can feel depressed when they go to their closets and see their old clothes from last year. This will cause their families to hate one another, and cause division amongst the haves and have nots.
IS THIS BEING TRUE TO HIP HOP, CAUSE IF IT IS THEN YOU REALY DON'T KNOW WHAT HIP HOP IS AT ALL, AND YOU ARE OR HAVE BEEN MADE INTO A WORKER FOR NONE OTHER THAN SATAN WHO HAS TAUGHT PEOPLE TO DO EVIL WITH GOOD NAMES AND TITLES AS A SHIELD. IT'S NO BETTER THAN PLACING A CHILD BEFORE YOU AN A BULLET.
TIME TO MAKE A CHANGE, LIFT REAL HIP HOP UP! UP YOU MIGHTY EMCEES TRADE IN THE MADNESSS FOR WHAT'S GOOD FOR REAL FOR OUR CHILDREN AND THE ENTIRE HUMAN FAMILY IN THE NAME OF REAL HIP HOP.
